DIRECTOR'S SPOTLIGHT **Alan R.H. Nettles**

Did you originally know the history of "The Legends" that are in this story, or did you find out about them because of this play?

(Pictured: Alan R.H. Nettles)

As the writer and director, I most certainly knew the history behind “The Legends” which is why I found it important to include them in this particular sketch.

Do you (cast members specifically) relate closely to your character?

I am not a cast member, but I do relate closely to all of the characters considering I created them including the “legends” in this particular space. For example, much of the character “Paige’s” sassiness and humor is derived from my Aunt Barbara “Baps” who is HILARIOUS. I went to an arts high school, and I had the opportunity to meet many of the characters portrayed in the play.

Do you think the history of the Civil Rights movement is still prevalent today?

Absolutely, I think history is important period. We as a society downgrade and demote our history, but it is through history that growth and purpose are manifested.

Do you participate in today's progressive black movements? And if so, how?

I am a Liberal. I believe in LGBTQ Rights, Women’s Empowerment, Pro-Choice, Mental Health Awareness, Suicide Prevention, & Black Lives Matter. I actively support any movement that is for the upward mobility of my people.

Do you think this play and others like it are reaching the people they need to, to be effective?

Unfortunately, I do not. I think that the community is deeply numb from the lack of effective support and encouragement that when this type of production is presented there’s hesitation and fear. I think the remedy for this is to continue to produce and promote African-American writers, directors, and producers. We need more of us in front of the camera and behind it as well. It is our job to tell our stories. The community has a role as well. SUPPORT. Go to a black show. Donate what you can. Offer your services. Help. Promote. We need all the support we can get. We cannot expect anyone else to uplift our culture except for US!

Do you think the music in this piece is an important part of telling the story?

Music is historically apart of the African-American diaspora. I think it is the most prevalent aspect to the story. It sets the tone. It allows one’s emotions to flow freely.

Is being part of this cast and crew an enjoyable experience?

I love working as a director. I love what I do. I’ve enjoyed the cast and crew. I think there’s talent and a great deal of potential for success. I pray that those involved in this show continue to allow their God given abilities to bloom. Never let anyone tell you any different. Your voice. Your talent. Your God given abilities matter.

Where do you plan to go in this field of work?

I am graduating from Tennessee State University in May. I’m also working to bring The African-American Experience: A Walk Through Time to Chicago starting a potential tour. Lastly, I’m working on a feature film entitled 3 Blind Boys on the Block that will hopefully go into pre-production next fall.

What is it like working with the Director?

Considering, I am the director I would say it is very difficult. LOL! I’m always in my head, and I am my worst critic.

What is it like working with the Music Director?

Shanae is a talented creature in her own right. We work well together, and she always does such a wonderful job with the music aspect of the production. However, she is truly an ACTRESS. That is her gift, and by golly I pray she never gives it up.

What makes “Chapter 22” so unique?

It’s an original piece. The music of course is refurbished from some of the culture’s most dynamic, composers of the 20th century. But as a whole, it is an original. It’s meaningful, and I wrote it specifically for John Wesley United Methodist Church.

Are the performing arts an important aspect to the African-American diaspora?

Are you kidding? Is this even a question? In the words of Meryl Streep, “yes”, “yes”, and “yes”!